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Between 2004 and early 2013, Anonymeye was the nom de plume of Andrew Tuttle from Brisbane, Australia. Tuttle’s work as Anonymeye reconfigured various organic and mechanic musics within a sonic framework akin to an abstract musical Esperanto. Utilising electronic and acoustic instrumentation including acoustic guitar, signal processing, synthesisers, and effects units, Anonymeye straddles and blurs boundaries between improvisation and composition, experimentation and song-form, rural landscapes and urban constructions and melody and dissonance.